Another question here related to artistic "philosophy", though unlike the other two, this is far from a new idea (though like the previous one and the one before it, it's second-hand planted by the same source that adheres to it and I'm mulling it over).
Artistry, when it's professional, is one of those jobs that almost anyone can do. Meanwhile, jobs based on necessity, such as chef, police officer, doctor, daycare worker, etc. are typically ones that require skill. Anyone can wake up one day and say "I want to be a royal guard", but they might happen to have developed a bad skill combo when it comes to that. However, anyone can wake up one day and say "I want to be an artist/author" and there wouldn't be as much doubt, not because success in art isn't based on skill but because of the appeal factor (see my first question for more on that).
Many have noticed this and said art should be reserved for people who have an unlucky skillset or are down on themselves economically, much of the time overlapping with those of us with disabilities. Which I can respect. Everywhere in the art world, you'll see people say it like "this job is all we can have, please don't take our job, you got way more oopportunities open, I bet you'd make a good chiropractor in our community". While this is economically considerate (in fact this is the business model for many local businesses), you also have the counter argument, the one which reminds people that exclusivizing jobs isn't exactly equal-opportunity, and an argument that could go both ways about how showbusiness of the marginalized was once an expression of ridicule rather than an expression of people trying to get by, even though the effect is the same (as well as a further argument about potential exploitation, some chain businesses have been under fire for this in the past).
I ask this question because the artist community is almost 50/50 between people who are monetarily unlucky and people who are average, and some of us have been thinking long and hard about how exactly we want to choose our associative decisions ever since AI art came under fire for throwing a wrench into peoples' professional lives. Do we choose the guy selling his doodles for nine dollars or the woman who is more meticulous but needs to live? Questions like that I'm sure recent developments in art have presented us all with. And I was wondering if, in your mind, you ever thought maybe it would be befitting or not that the art world is culturally seen as the kind of thing where it's higher etiquette (for a lack of a better phrasing) that people who are cornered into it should have dibs on that kind of occupational role.